Then send a private link when a label asks to hear one.
My laptop slipped into a lake in 2025.
Four years of sessions went in with it, and none of it came back. What was left lived in Dropbox and in a chat thread where I'd been sending myself rough mixes at 2am.
Six files called final. No way to tell which one actually was.
Everyone I know works like this. So I built somewhere better to put it, and my own catalogue was the first thing in it.
It's all in one place now, and I don't intend to lose it again. Though I have thought about going back to that lake with a wetsuit, just to see what is left of it.
Noctyrn, who makes the
music and built this
A master goes in exactly as you made it. It comes out the same.
No re-encoding, no normalising, nothing stripped.
All the files for one song together, under the name you call it. Not five files with confusing names.
Every mix you save is kept. One is marked as the current one. Changed your mind? Put an old one back with one click.
We tell you if a track is too loud and will distort, before someone charges you to find out.
Send one song. Not a whole folder. The other person does not need an account, they just click and listen.
You get hundreds of demos. Half the links are dead by the time you open them. Answering everyone takes hours you do not have.
When an artist submits from their own Northwest Falls account, you get
the real audio file, the credits, and a way to reach them. Most of the
back and forth never has to happen. You can also cover a signed artist's
account for €6 a month.
An artist's music is never the label's property here. You see what they
choose to show you, they can take that back on their own without asking
you, and ending it deletes nothing. That rule is built into the database,
not just written in the terms.
Google gives you 2 TB for about €10. Dropbox gives you 2 TB for about €12. We give you 2 TB for €14, so we are a couple of euros dearer and we are not going to pretend otherwise.
Their 2 TB also holds your photos, your tax returns and your email. Ours only holds music. If you want one place for everything, they are better value and you should use them. Backblaze is cheaper than all of us if you only want a backup. You will not hurt our feelings.
What you get here is the stuff a storage company has no reason to build. Which mix is the real one. Whether the label opened your link and how far they got. Files that come back exactly as you made them, because we never squash or convert them.
You may also be thinking that a distributor charges about the same for a whole year and puts your music on Spotify too. That is true, and it is worth being clear about what they hold: the finished file they need to deliver to the shops. Not your sessions, not your stems, and not the eleven versions before the one you picked. A distributor is not a backup, and if your drive dies tonight it cannot give you your work back. Different job, and most people end up wanting both.
Worth paying for if you send music to labels, if you have more than a few unfinished songs, or if you have lost work before. If none of that sounds like you yet, come back when it does.
What we will not tell you is that we can never be broken into. Every company that has ever been broken into said that first. What we will say is that if it happens you hear it from us, in plain words, within three days, whether or not anyone makes us.
We are also not going to drop it in a lake.
Every plan includes Melodreams, the link in bio built for musicians. We partner with them and cover the cost, so one payment covers both where your music lives and the page you send people to.
Add 250 GB for €8 a month to any plan. Labels can cover an artist for €6. Questions people ask before signing up.
